Annie (United States) makes drawings, paintings and conceptual artworks. By contesting the division between the realm of memory and the realm of experience, Annie considers making art a craft which is executed using clear formal rules and which should always refer to social reality.
Her drawings are an investigation into representations of (seemingly) concrete ages and situations as well as depictions and ideas that can only be realized in drawing. By examining the ambiguity and origination via retakes and variations, she uses a visual vocabulary that addresses many different social and political issues. The work incorporates time as well as space – a fictional and experiential universe that only emerges bit by bit.
Her collected, altered and own works are being confronted as aesthetically resilient, thematically interrelated material for memory and projection. The possible seems true and the truth exists, but it has many faces, as Hanna Arendt cites from Franz Kafka. With Plato’s allegory of the cave in mind, she seduces the viewer into a world of ongoing equilibrium and the interval that articulates the stream of daily events. Moments are depicted that only exist to punctuate the human drama in order to clarify our existence and to find poetic meaning in everyday life.
Her works directly respond to the surrounding environment and uses everyday experiences from the artist as a starting point. Often these are framed instances that would go unnoticed in their original context. By focusing on techniques and materials, she tries to increase the dynamic between audience and author by objectifying emotions and investigating the duality that develops through different interpretations.
Her works sometimes radiate a cold and latent violence. At times, disconcerting beauty emerges. The inherent visual seductiveness, along with the conciseness of the exhibitions, further complicates the reception of their manifold layers of meaning. By merging several seemingly incompatible worlds into a new universe, she makes work that deals with the documentation of events and the question of how they can be presented. The work tries to express this with the help of physics and technology, but not by telling a story or creating a metaphor.
Her works are notable for their perfect finish and tactile nature. This is of great importance and bears witness to great craftsmanship. With a conceptual approach, she absorbs the tradition of remembrance art into daily practice. This personal follow-up and revival of a past tradition is important as an act of meditation.
By emphasising aesthetics, she tries to approach a wide scale of subjects in a multi-layered way, likes to involve the viewer in a way that is sometimes physical and believes in the idea of function following form in a work. Annie currently lives and works in Austin.